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・ Concerto for Pedal Steel Guitar and Orchestra
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・ Concerto for Piano and Orchestra (Hess)
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Concerto for solo piano
・ Concerto for Solo Piano (Alkan)
・ Concerto for String Quartet and Chamber Orchestra (Hosseini)
・ Concerto for String Quartet and Orchestra (Schoenberg)
・ Concerto for Two Pianos (Stravinsky)
・ Concerto for Two Pianos and Orchestra
・ Concerto for Two Pianos and Orchestra (Bruch)
・ Concerto for Two Pianos and Orchestra (Poulenc)
・ Concerto for Two Pianos and Orchestra (Vaughan Williams)
・ Concerto for Two Pianos and Orchestra in A-flat major (Mendelssohn)
・ Concerto for Two Pianos and Orchestra in E major (Mendelssohn)
・ Concerto for Two Violas (Telemann)
・ Concerto for Two Violins (Bach)
・ Concerto for Two Violins and String Orchestra (Arnold)
・ Concerto for Violin and Strings (Mendelssohn)


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Concerto for solo piano : ウィキペディア英語版
Concerto for solo piano

:''This article is about concertos for solo piano. For information on concertos for piano and orchestra, see Piano concerto.''
A concerto for solo piano is a piece for solo piano in one or more movements.
== History ==
Although various "concert" pieces have been written across history (such as Liszt's ''Trois études de concert'' and ''Grand solo de concert''), concertos for solo piano are very rare. The first (and still best known) example comes from Johann Sebastian Bach, whose ''Italian Concerto'', BWV 971, was published in 1735. Even though it was written for two-manual harpsichord, it is regularly played on the piano and considered the first example of a concerto fitted to solo keyboard.
Schumann's Piano Sonata No. 3 in F minor (1835), Op. 14, was labelled by Tobias Haslinger as a "Concerto without orchestra".
The French composer Charles-Valentin Alkan wrote in 1857 his set of Op. 39 études, of which nos. 8–10 were labelled as a concerto for solo piano. It includes markings such as "Tutti", "Solo" and "Piano", as well as instrumental directions such as "quasi-trombe" and "quasi-celli".
The Spanish composer Joaquín Turina wrote in 1935 his ''Concerto Without Orchestra'' (Spanish: Concierto sin orquesta), Op. 88.
The Russian/American composer and violinist Joseph Achron wrote in 1941 his final work ''Concerto for solo piano'', op. 74.
Kaikhosru Shapurji Sorabji's ''Concerto da suonare da me solo e senza orchestra, per divertirmi'' (1946) is clearly inspired by Alkan; for instance, the third movement of the work is titled ''Scherzo diabolico''—a reference to Alkan's Étude Op. 39 No. 3. In addition to that, the first movement of the work contains various programmatic indications. These, however, are controversial, since they effectively refer to an imaginary orchestra. However, it has also been argued that the orchestra is represented in the work by means of bitonal relationships.〔Abrahams, Simon John, Ph.D., ''Le mauvais jardinier: A Reassessment of the Myths and Music of Kaikhosru Shapurji Sorabji'', King's College London, 2002, pp. 209–210.〕
The Slovak composer Ján Zimmer wrote, in addition to seven concertos for piano and orchestra, a ''Concerto for Piano without orchestra'', op. 23 (1955/1956).
The piano concertos nos. 4 and 6 of Michael Finnissy are pieces for solo piano.
John White has described his Piano Sonata No. 152 as a concerto for solo piano.〔Jonathan Powell, liner notes for Kaikhosru Shapurji Sorabji, ''Concerto per suonare da me solo'', Jonathan Powell, (Altarus Records, AIR-CD-9081, 2006), p. 8.〕
The French composer Corentin Boissier wrote in 2012 his neo-romantic ''Glamour Concerto'' in A minor, for solo piano.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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